Pittock Mansion

While I was in Portland visiting the Bullseye Resource Center and Gallery, I decided to stop at the Pittock Mansion. The Pittock Mansion is an historic spot and a real gem that was built between 1909 and 1914. It sits on top of a hill that overlooks the whole city. The grounds have been well kept, and the house has been restored and is fully furnished. It is a museum now, open to the public to view the inside.
The interior design was fascinating. Immediately upon walking in, you feel like you have stepped back in time. The ornamentation and detail throughout were wonderful. I really did feel like I was in a castle. What was really unique was that many of the walls in the house were curved. Tons of the rooms had a circular shape which is something you don't normally see. It gave me some ideas on curved features and how I could potentially apply them to the Pufferbelly Depot design without compromising the accessibility of the home and without making too dramatic of a statement.
Lately, I have been learning about the use of pattern in a space, not just in textiles, but through other forms as well. The Pittock Mansion had many wonderful examples! I tried to show some of the pictures that captured the magnificent designs in the ceilings, borders, trims, and even floor work up above.

Bullseye Resource Center Visit

I had the wonderful opportunity to visit the Bullseye Resource Center this week. This is the place where Ted Sawyer, my artist for whom I am redesigning the Pufferbelly Depot for. By having the opportunity to see the studio spaces that he works in, and the types of things he does, I could get a better picture in my head of the type of space he will need for his studio.
The Resource Center is not only studio spaces but a store and small gallery spot as well. It was really neat to see how they had divided up the old warehouse into the set up they had. The pictures above show the main studio space and the smaller gallery that is upstairs. I unfortunately could not take pictures anywhere else.

PATTERN to TEXTILE

In order to transfer my pattern to the textile, I sent a module in to Spoonflower to have them put it on fabric for me. The first one I got back, was not what I was expecting. The picture with the larger pattern design is the first one that I received. I was not happy with such a large print because blown up, the lines were blurry and the color was blotchy. I ended up working it out with them and got what I really wanted the second time around. The picture with the smaller print is what I wanted.
I am very happy with how the last one turned out. From a certain distance away, the yellow that I once feared did not belong in the textile, actually gives the pattern more visual texture. The way the gold tones pop out over the yellow give it an extra dimension which I really like.
One of the biggest things I had to overcome when working on this textile, was accepting that this color scheme may not be my absolute favorite or something that I would choose for my own home, but instead I had to look at it from a design standpoint. The color scheme has very rich colors that do work nicely together. When I showed people those colors in comparison to some that I liked more, almost everybody agreed that yellows and golds were the best choice. Now that I have seen the textile in front of me, I really do appreciate listening to their feedback and I am happy with what I ended up with.

MODULE to CONCEPT MODEL

This is the transformation of my module into a 3D model. I tried out a series of ideas of how I could incorporate the same twisting and looping motion from the module into the model. I ended up using a piece of wired ribbon and wrapped it around a PAM spraycan and then starched it. I also put some extra mod podge on it to help maintain the circular shape and then followed it with some spray paint. I think that I was successful at combining all of my keywords into the model. I wish though that I would have used a thicker piece of yarn and a larger circular mold to wrap it around so that it was bigger. The appearance of the ribbon looks kind of like leather which was an unexpected added bonus. It sort of reflects the smooth aspects of the metal that originally inspired the module itself.

Renaisance Fine Woodworking

Renaisance Fine Woodworking in Pullman, WA was kind enough to give me a tour of their work facility last week. To start off, they began to share a little bit about their professional background and how they came to their particular craft. Then they began to talk a little about their work specifically. This includes doing various woodworking jobs for people and their specific projects. Some things we got to see in the making were large round beams and the exterior of a little trailer. They also do kitchen cabinetry and much more.
It was very interesting to hear about the design process that goes into their work, and to hear about the communication between client, designer, and craftsmen like themselves. Some of the things I gathered were that it is always important to gather as much information as possible and relay to the best of your abilities what it is that you want. Be specific and willing to talk through problems and whatnot. It is also important to charge people for your time.
Probably the most valuable thing that was talked about though, was being friendly with just about everyone you meet. You never know who could be a potential client down the road. If you show interest in somebody and their life or career or whatever else, that could be the start of a great business relationship. Being personal and showing you care could win you some business down the road.
Overall, they were two very nice gentlemen with very impressive work.